Tag: Moment

  • Shakha Pola & Loha Bangles

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    Introduction

    Symbols are powerful expressions of Human culture. Culture is not stagnant. It is transformed with time, space and need. Culture is imbibed through direct instruction or through observation, imitation as well as adaptation. Continuous socialization makes the individual internalize the thoughts.

    Wearing the symbols of marriage supports the tradition and the customs. Customs are manifestations of a section of people wanting to design the society as per their necessity and interests. They are designed to satisfy the needs of the society.

    Thought Behind:

    Hindu women mainly the Bengali women and also in Bihari culture they wear certain symbols of marriage like Shakha, Pola, Loha and Sindoor. Shakha are white bangles made of conch-shell and Pola are red bangles made of red corals. There is an iron bangle called Loha.

    Shakha and Pola are worn in both the hands. The bride has to wear Pola between Shakha or iron metal bangles. It is said that iron metal bangles keep balance between positive and negative powers. It is worn only in the left hand. It may or may not be covered by gold.

    Sindoor is vermilion which is applied on the parting of the hair. Usage of Sindoor by a woman implies that she is already married. All these are symbols of marriage for Hindu Bengali women. Many believe that wearing these could ward off bad omens and it enhances the beauty of bride and also love between the couples.

    Importance

    Shakha & Pola are a main ornament of a married woman. Now days this had become like precious jewellery for every married women. This custom is most popular in eastern part of India as well as in north India. In West Bengal according to the Bengali culture the Shakha & Pola has a great significance. Before the actual Bengali marriage day married women perform ritual called Dodhi Mangal in which they soak bangles made with shells in turmeric mixed water. Seven married women put Shakha Pola into bride’s hands. It symbolizes as seven forms of Goddess.

    It’s a naturally made shell just needs to be carved with care & patience. The Shakha though seems to be firm may get brittle if handled carelessly. Similarly in a married life the bride needs to make sure that she fulfils her responsibility without losing her charm, sensitivity & morals accompanied with auspicious thinking.

    Beautiful Aspect:

    The custom is another golden page of a married life. Shakha & Pola are nature’s blessing to the married woman. It’s not only an ornament but it’s a proud for a married woman.

    Traditionally whenever a married woman applied Vermilion/Sindoor on her forehead as a symbol of being married she also applies a little Vermillion on the left Shakha. This wonderful tradition goes on without any hindrance.

    These traditions bring us close to our society and our family. Such small small things make our life more beautiful and fill our every moment with happiness and love.

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    Source by Simmi Kumar

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  • Changeability – Can You Drive Your Business Without it?

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    "… a systematic and institutional capacity for change may now be a company's single most valuable asset." Michael Hammer, Beyond Reengineering

    You may be in charge of your company but are you in control of it? How many times have you tried to manoeuvre your company in a particular direction to find that it is unable to respond in either the right timescales or manner? Make no mistake, your ability to steer and move your company is only as good as its inherent ability to respond to the need to change, its business change capability. Would you accept a car that had a rubber steering column and did 0-60 in whatever time it felt like? Of course not, so why accept the equivalent in terms of business change management?

    Take a good look at your own company. Operationally you may be doing a good job of serving the customers. Management wise you've probably got a good team doing your planning and overseeing the day-to-day operations but how well are you coping with your changes? How many IT projects do you have on the go? How many reorganizations or office moves? What's the impact? What's the cost? What's the benefit? Who's doing what to what and when? How do you know? Is it within your means to change the direction and momentum of that reengineering program? Is change a necessary evil or an opportunity to succeed? It's probably a bit of both but one thing is for sure, it's not going to go away.

    The Change Imperative

    All businesses must change over time or else they will fail. The commercial landscape is constantly changing due to the interplay between the market, legislation, technology and competitors. Two things are needed to navigate that landscape: headlights and a responsive vehicle. New and small businesses tend to have the latter by default. They do not have the massive cultural, technical and customer legacy of larger, older companies to hold them back. The smarter of these businesses will have also invested in a good set of headlights. As they succeed they too accrue a legacy to slow them down, except of course they have developed a business change capability in line with their growth.

    When is a Change Not a Change?

    So what is a business change capability? Let's start by defining a business change. All businesses can naturally cope with a limited amount of variation in the cases they handle. Shops can handle different basket sizes and mixes, manufacturers can produce customized products and hospitals can treat a variety of illnesses and injuries. The twin daily operational goals of efficiency and effectiveness produce a compromise position. Increases in efficiency tend to result in specialization that in turn reduces the ability to handle variation while the drive to be effective requires an ability to handle all the variation being thrown at it by the chosen market. It's fast food versus a la carte service. At the end of the day a particular operational model is implemented. Any change to this operational model is a business change. A business change capability is the means to efficiently and effectively (there they are again) perform a business change.

    House of Cards

    That's OK then, all you need to do is improve the way you organize, implement systems or move office. If only it was that simple. Businesses are incredibly complex and sensitive organizations. They can swallow direction dicta without blinking but change the coffee in the finance department and your invoices take three times as long to process. The operational model mentioned above is not as simple as an organization chart or a flow diagram. It is multidimensional. Move location and you affect processes, roles, infrastructure and communications. Change a department's structure and you can impact jobs, systems, facilities, information flow and loyalties. Implementing a new system will change processes, skill-sets, responsibilities and data. Any potential change needs to be considered holistically to increase the chance of success (or for those who cup is half empty, to reduce the risk of failure).

    The Whole and Nothing but the Whole

    Taking a holistic perspective of change brings with it a whole new mindset compared to some of the more traditional change efforts. No longer do you have 'system implementation' projects, you have 'process improvement through faster access to information and the removal of organizational boundaries' projects. No longer do you have 'reorganization' initiatives, you have 'the clarity of roles and responsibilities through the clear ownership of processes and the implementation of supporting systems' initiatives. The days of dropping a new system or organizational structure from a great height into the operational business without making sure it fits must come to an end.

    Turning on the Lights

    Now that we have a holistic view of a business change we start to notice something. There appears to be more interference between the various change initiatives taking place in the company. Joe's new customer care processes rely on roles that Fred is removing in his web interface project. Helen's team-working initiative is being impacted by Sue's relocation project. The holistic view has not created these overlaps it has simply made them more visible. To complete the picture we need a common language across all the initiatives that enable these overlaps to be seen. That language comes in the form of business models.

    Super Models

    Business models provide a pictorial and textual description of a business. They act as a set of maps onto which change activity can be plotted. Only by using a common set of models across the business and for all change initiatives can we determine who is doing what to what and where effort is duplicated or missing. Without this, time, money and energy will be wasted regarding the skill and best intentions of the participants. These models must cover the various perspectives required by the holistic view. This includes process, organization, systems, data and location. 'That's all well and good' I hear you say 'but these models will always be out of date'. 'Not if you build their maintenance into your change processes', I reply. Which brings us nicely to the next topic: method.

    Process Rules

    Whether they like it or not all businesses have method or, if you prefer, processes. How good they are is another matter but all businesses have a way of working. They know what to do when certain events happen such as a customer placing an order. Similarly, in order to conduct business change we need a method or a set of processes. What do we do when a potential change is identified? What do we do when a change project needs to change scope or fails to deliver? How do we handle a new corporate vision? How do we handle a simple process improvement? How do we allocate resources across dozens of competitive changes? A permanent business change capability needs to be able to answer these questions by providing a set of processes, roles and supporting systems capable of dealing with all of these situations. Such a capacity has the added bonus of being self-improving. It is just another set of business processes etc that can be modeled and changed.

    So What …..?

    So what does all of this mean? It means that, with a set of repeatable processes that help define potential changes holistically, assess their impact and interdependencies, determine the optimum mix of integrated change initiatives across the company and maintain an accurate set of business models, you have some hope of driving your company through that mixture of mine-field and oil-field, the corporate landscape. Without it you'd better get used to that rubbery steering and sponge-like response … but then again maybe it is time for a service.

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    Source by Mick Wren

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  • Crossing the Mangrove by Maryse Conde

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    “Crossing the Mangrove,” by Maryse Conde is set in 1986 on the Caribbean island of Guadeloupe. The story is told through the eyes of the many inhabitants of the island who are uncomfortable with the arrival of a strange foreigner who has come to live amongst them. Francisco Alvarez-Sanchez mysterious story invokes themes of past and present Caribbean life and stories from the villagers are combined to connect the fascinating tale. The novel reflects the Creolite diversity of the inhabitants of Guadeloupe.

    In “Crossing the Mangrove,” several recurring themes prominent in Caribbean life are evident. Colonization and class perspective are amongst the more dominant themes. Guadeloupe was colonized by France in the 17th century and, like many Caribbean islands, Guadeloupe became a slave trading center. A story told by the strange recluse Xantippe shows how colonization ideals of the past are still present on the island today. As a young man Xantippe was happy go lucky. This gave the French ruled gendarmes (police) reason to interrogate him. They insinuated that he had enemies and burned his cabin down. Xantippe describes how he lost everything and his life was changed for the worse, forever. This activity is reminiscent of Cesaire’s equation: colonization = “thingification.”

    Class perspective exists on the island of Guadeloupe but to a lesser extent than in the previous novels. The Ramsaraz and Lameanes families are upscale. They own land for farming and flower nurseries. They have large houses and they drive French built Peugeots. Although a peasant and servant population exists it is not featured prominently in the novel. Instead, something of a middle class society comprises the majority class of the characters. Moise the mailman, Emile Etienne the historian, and Lucien Evarist the writer are amongst a cast of Francis middle class friends. But it is assumed that Francis belongs to the upper class due to his tales of travel and adventure, his ability to purchase the aging Alexis estate, and daily truck deliveries of household appliances such as a TV set, a refrigerator, a stereo set. The inhabitants of Riviere au Sel are envious of this and question his occupation and work ethic as a writer. They ask, “Was a writer a do-nothing, sitting in the shade for hours on his veranda, staring at the ridge of mountains for hours on end while the rest sweated it out under the Good Lords hot sun.” One must get the sense that the class perspective presented in “Crossing the Mangrove,” is a good representation of society in Guadeloupe today.

    Strong themes that are current to Guadeloupe society are that in a male dominated society women are forced into the practice of arranged marriages. But many of the women of Riviere au Sel have contempt toward their estranged husband’s and their fathers who make the unusual arrangements. Forced marriages are common and based in tradition in this island society but oddly enough explanations are not provided as to why a parent would want to marry off their young and attractive daughters to older men with dubious intentions. What is the motivation of the parents who take part in this practice? Yes, these men are wealthy and the young women will live in comfort, but are the parents receiving some compensation for their generous contribution to the men? The young women all seem to come from families that are well established. Do the parents take into consideration the trauma and unhappiness their daughters will suffer?

    In Riviere au Sel, Dinah’s father arranged for her to marry Loulou. Dinah was in favor of this but later became repulsed by her husband. Dinah said, “It’s been years since Loulou slept in my bed. Once darkness has fallen I lock my door and curl up like a fetus between my sheets.” Rosa, of Indian decent, is forced to marry Sylvester; the practice of arranged marriages is also common in India where a social caste system still exists. In her passage in the novel she wants it to be known that, “When they married me off to Sylvester Ramsaran, nobody asked for my opinion” and “Sylvester hurt me. He tore me.”

    Just as her Indian mother before her, Vilma’s marriage was to be arranged. Vilma’s father Sylvester, arranged for her to marry a man named Marins Vindrex. But Vilma revolted by running away from home saying, “Marins Vindrex. But I don’t love him.” In the ultimate act of vengeance against her father she took up with the hated Francis Sanchez. Now in a position to forever poison the appalling marriage to the dreadful Vindrex, she allowed herself to become impregnated by Francis. Sylvester is defenseless to act while the questionable motives of Francis intensify amongst the villagers of Riviere au Sel who are already suspicious of him.

    Conde connects the vinettes together in “Crossing the Mangrove,” by establishing the relationship each villager had with Francis Sanchez as the story progresses. Every member has a strong opinion or emotion about Francis. Some of those thoughts are positive and some are negative. Central to the story is the wake of Francis which is held in Riviere au Sel. It rains a lot in Riviere au Sel and on the Thursday afternoon of Francis wake, it was no different. The rain seemed to act on behave of Mother Nature in cleansing the congregation of friends, enemies, and former lovers who gathered to witness Francis swan song.

    Moise, the mailman is the first character that Conde provides us with insight into the relationship he had with Francis. Oddly enough there was some speculation in the community that there may be a homosexual relationship involving Moise and the great womanizer Francis Sanchez. “There were wicked sneers. There was something fishy about that friendship and the two men were Makoumeh! (Homosexuals). Adding even more to the oddity is the fact that many considered Moise a “Misgotten freak,” and ‘ugly.’ These allegations aside, the two were friends but the friendship was awkward and unusual. One moment we see Moise cradling Francis in his arms when something upset Francis. The next moment we see Francis accusing Moise of stealing money from his mysterious trunk.

    But Francis also had his enemies. Both Loulou Lameaulnes and Sylvester Ramsaran have similar reasons for despising Francis. Francis had sexual affairs with their daughters impregnating both of them. To these two men Francis was a villain for his indiscretions but in both cases it was the young women who approached Francis. Both women hated their fathers and hated the lives they led under their father’s roofs. Perhaps the fathers should have blamed themselves for forcing their daughters out of their arms and into the bed of Francis. Vilma and Mira both shared the same bed with Francis and both attended his wake. They did not speak to each other. Oddly, Loulou and Sylvester were also in attendance and both felt a strong sense that in Francis death justice had been served.

    The congregation exited the wake with the sober realization that they had just mourned for a man that they hardly knew. Francis had that ability. People were drawn to him but they didn’t know why. The novel ends with the inhabitants of Riviere au Sel raising the same ironic questions about Francis as when they had first laid eyes on him. “Who was Francis Sanchez? And subsequently, “Who was this man that chooses to die amongst us?

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    Source by Frank Cardello

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  • Renaissance and Neoclassical Historical Arts

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    Renaissance is a cultural movement that started in Europe during the early 14th to 17th century or a period between the Classical and Modern era. More than its cultural essence, the Renaissance period was known for its developments in art, painting, philosophy, architecture and other intellectual aspects. It was an era that witnessed the largest growth and development in Western Europe.

    A1. Renaissance art took its shape from the social conditions that existed at that time that carved Europe’s political structure. The cultural rarity of Italy existed, as there was no political form during the early modern period that resulted in artistic and academic advancements. This freedom opened gateways to trade and commerce across the globe that brought wealth in Italy through commissioning its artistic work.

    Renaissance artists looked for human emotions and realism in art. They focused on making human portrays with a natural background. They took the Humanism approach, placing more emphasis on man than god, which was reflected in their sculptures and paintings. The Early Renaissance period focused more on creating sculptures on the basis of personality and behavior, whereas the High Renaissance was more towards balance and drama. Renaissance artists were greatly inspired by Roman and Greek art that used nude human bodies of personality in their art. Their attempt to gain perfection in human arts for expression, personality, and emotions reduced social hierarchies in the status of people resulting in everybody wanting to learn and share their ideas and skills.

    A2. Neoclassicism was a predominant movement during the mid 18th century and the late 19th century in European art and architecture. It focused on the western classical art forms of ancient Greece and Rome. It was partly a movement that had initiated as a reaction to the Baroque and Rococo styles. It became a predominant part of academic art that continued into the 19th century to become visible as museums of neoclassical architecture.

    Neoclassical art aimed in reviving the European Age of Enlightenment that was the Greek and Roman classical art forms. It aimed to contain the ‘purity’ of Roman arts and criticized Baroque and Rococo styles. Neoclassicism gained importance in France and England spreading towards Sweden. It made use of the classical essence relating to courage and nationalism.

    Neoclassicism aimed to resurge classical styles through usage of sharp colors and classical subjects. They avoided light and soft colors in their paintings that depicted calmness and grandeur. Neoclassicists revived the Greek painting styles by using mosaics, columns, engravings and other ornamental elements in their work.

    A3. Renaissance signified the rebirth of arts, science, and medicine and was an era that was responsible for most radical developments and movements in Europe. So much so, that it is also used to describe other major cultural and historical moments. Classical Renaissance gave birth to the Baroque style that was more dramatic and direct. Therefore Neoclassicism was nothing but a reaction to the Baroque style so as to preserve the purity of ancient Roman arts. Moreover, neoclassicism remained one of the foremost in academic arts.

    A3a.

    • Renaissance period was known for its Humanist approach in art while neoclassical art focused on more classical and pure elements of style;
    • The Renaissance period brought about radical developments in arts, philosophy, and medicine while neoclassical art was foremost in academic arts;
    • Renaissance artists believed in more natural and expressive nude sculptures of art while neoclassical artists incorporated ornamental elements in their work;
    • The Renaissance period opened gateways to new ideas and developments, while the neoclassicism period focused on retaining the Age of Enlightenment.

    A3b. The Renaissance era was one of the most influential and flourishing period during the 15th and 16th centuries and gave birth to major cultural developments for almost three centuries. Renaissance art was born out of an evolving civilization whose quest for Realism and scientific perfection resulted in some of the greatest works and achievement in arts, science, architecture, and philosophy. The distinguishing feature of Renaissance art is its dedication to classical arts with a renewed interest in Roman styles that included naked human sculptures with no landscapes in a natural environment. It was an important era that brought wealth to Europe and its artistic freedom enabled skilled artisans to flourish.

    A3b1. Leonardo Da Vinci

    Leonardo Da Vinci (1452-1519) was one of the greatest artists of the Renaissance period. Also known as the ‘Renaissance Man’, was born in Italy and was a renowned painter who became a polymath in many fields such as music, science, mathematics, and botany. He is considered as one of the greatest diversely talented persons to have lived. Mona Lisa is one of the most renowned works of his time that was greatly appreciated. The Mona Lisa is a 16th century half-length portrait that was made in oil and of a seated woman.

    Andrea Appiani (1754-1817) Born in Milan, was an Italian neoclassical painter. He trained under Carlo Maria Giudici and learnt painting by copying sculptures. His best works are in the church of San Maria presso San Celso and the royal palace at Milan. Among some of his works of oil paintings are Venus and Love, and Rinaldo in the garden of Armida.

    A3b2. Madame Hamelin (1776-1851) was one of the neoclassical painter Andrea Appiani’s work that bears a similar resemblance to Leonardo Da Vinci’s Monal Lisa. Both are half-length oil portraits of women who are half-seated that reflects the natural facial expressions wherein their hands are folders bearing similar artistic values and styles to one another.

    A3c. Neoclassicism reached its most influential period in arts during the 1780s to 1850s. New archeological discoveries and settings paved the way for classical themes that also resulted from the reaction of the Rococo styles. Neoclassicism retained its classical antiquity and co-existed with its much opposite form of Romanticism art. Artists of the neoclassical era replaced religious and mythological objects with realistic, simple, and bold ones. IN the 1830s, the Neoclassicism era was replaced by Romanticism.

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    Source by Shashank S

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  • The Science of Getting Rich, by Wallace Delois Wattles Chapter6

    How Riches Come to You

    WHEN I say that you do not have to drive sharp bargains, I do not mean that you do not have to drive any bargains at all, or that you are above the necessity for having any dealings with your fellow men. I mean that you will not need to deal with them unfairly; you do not have to get something for nothing, but can give to every man more than you take from him.

    You cannot give every man more in cash market value than you take from him, but you can give him more in use value than the cash value of the thing you take from him. The paper, ink, and other material in this book may not be worth the money you pay for it; but if the ideas suggested by it bring you thousands of dollars, you have not been wronged by those who sold it to you; they have given you a great use value for a small cash value.

    Let us suppose that I own a picture by one of the great artists, which, in any civilized community, is worth thousands of dollars. I take it to Baffin Ray, and by “salesmanship” induce an Eskimo to give a bundle of furs worth $500 for it. I have really wronged him, for he has no use for the picture; it has no use value to him; it will not add to his life.

    But suppose I give him a gun worth $50 for his furs; then he has made a good bargain. He has use for the gun; it will get him many more furs and much food; it will add to his life in every way; it will make him rich.

    When you rise from the competitive to the creative plane, you can scan your business transactions very strictly, and if you are selling any man anything which does not add more to his life than the thing he give you in exchange, you can afford to stop it. You do not have to beat anybody in business. And if you are in a business which does beat people, get out of it at once.

    Give every man more in use value than you take from him in cash value; then you are adding to the life of the world by every business transaction.

    If you have people working for you, you must take from them more in cash value than you pay them in wages; but you can so organize your business that it will be filled with the principle of advancement, and so that each employee who wishes to do so may advance a little every day.

    You can make your business do for your employees what this book is doing for you. You can so conduct your business that it will be a sort of ladder, by which every employee who will take the trouble may climb to riches himself; and given the opportunity, if he will not do so it is not your fault.

    And finally, because you are to cause the creation of your riches from Formless Substance which permeates all your environment, it does not follow that they are to take shape from the atmosphere and come into being before your eyes.

    If you want a sewing machine, for instance, I do not mean to tell you that you are to impress the thought of a sewing machine on Thinking Substance until the machine is formed without hands, in the room where you sit, or elsewhere. But if you want a sewing machine, hold the mental image of it with the most positive certainty that it is being made, or is on its way to you. After once forming the thought, have the most absolute and unquestioning faith that the sewing machine is coming; never think of it, or speak, of it, in any other way than as being sure to arrive. Claim it as already yours.

    It will be brought to you by the power of the Supreme Intelligence, acting upon the minds of men. If you live in Maine, it may be that a man will be brought from Texas or Japan to engage in some transaction which will result in your getting what you want.

    If so, the whole matter will be as much to that man’s advantage as it is to yours.

    Do not forget for a moment that the Thinking Substance is through all, in all, communicating with all, and can influence all. The desire of Thinking Substance for fuller life and better living has caused the creation of all the sewing machines already made; and it can cause the creation of millions more, and will, whenever men set it in motion by desire and faith, and by acting in a Certain Way.

    You can certainly have a sewing machine in your house; and it is just as certain that you can have any other thing or things which you want, and which you will use for the advancement of your own life and the lives of others.

    You need not hesitate about asking largely; “it is your Father’s pleasure to give you the kingdom, ” said Jesus.

    Original Substance wants to live all that is possible in you, and wants you to have all that you can or will use for the living of the most abundant life.

    If you fix upon your consciousness the fact that the desire you feel for the possession of riches is one with the desire of Omnipotence for more complete expression, your faith becomes invincible.

    Once I saw a little boy sitting at a piano, and vainly trying to bring harmony out of the keys; and I saw that he was grieved and provoked by his inability to play real music. I asked him the cause of his vexation, and he answered, “I can feel the music in me, but I can’t make my hands go right.” The music in him was the URGE of Original Substance, containing all the possibilities of all life; all that there is of music was seeking expression through the child.

    God, the One Substance, is trying to live and do and enjoy things through humanity. He is saying “I want hands to build wonderful structures, to play divine harmonies, to paint glorious pictures; I want feet to run my errands, eyes to see my beauties, tongues to tell mighty truths and to sing marvelous songs,” and so on.

    All that there is of possibility is seeking expression through men. God wants those who can play music to have pianos and every other instrument, and to have the means to cultivate their talents to the fullest extent; He wants those who can appreciate beauty to be able to surround themselves with beautiful things; He wants those who can discern truth to have every opportunity to travel and observe; He wants those who can appreciate dress to be beautifully clothed, and those who can appreciate good food to be luxuriously fed.

    He wants all these things because it is Himself that enjoys and appreciates them; it is God who wants to play, and sing, and enjoy beauty, and proclaim truth and wear fine clothes, and eat good foods. “it is God that worketh in you to will and to do,” said Paul.

    The desire you feel for riches is the infinite, seeking to express Himself in you as He sought to find expression in the little boy at the piano.

    So you need not hesitate to ask largely.

    Your part is to focalize and express the desire to God.

    This is a difficult point with most people; they retain something of the old idea that poverty and self-sacrifice are pleasing to God. They look upon poverty as a part of the plan, a necessity of nature. They have the idea that God has finished His work, and made all that He can make, and that the majority of men must stay poor because there is not enough to go around. They hold to so much of this erroneous thought that they feel ashamed to ask for wealth; they try not to want more than a very modest competence, just enough to make them fairly comfortable.

    I recall now the case of one student who was told that he must get in mind a clear picture of the things he desired, so that the creative thought of them might be impressed on Formless Substance. He was a very poor man, living in a rented house, and having only what he earned from day to day; and he could not grasp the fact that all wealth was his. So, after thinking the matter over, he decided that he might reasonably ask for a new rug for the floor of his best room, and an anthracite coal stove to heat the house during the cold weather. Following the instructions given in this book, he obtained these things in a few months; and then it dawned upon him that he had not asked enough. He went through the house in which he lived, and planned all the improvements he would like to make in it; he mentally added a bay window here and a room there, until it was complete in his mind as his ideal home; and then he planned its furnishings.

    Holding the whole picture in his mind, he began living in the Certain Way, and moving toward what he wanted; and he owns the house now, and is rebuilding it after the form of his mental image. And now, with still larger faith, he is going on to get greater things. It has been unto him according to his faith, and it is so with you and with all of us.

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  • The Terrifying Moment That Taught Dwayne Johnson How Precious Life Is

    The Terrifying Moment That Taught Dwayne Johnson How Precious Life Is

    I reached a point where I didn’t want to do a thing or go anywhere. I was crying constantly,” Johnson said, discussing how his mother attempted suicide when he was just 15.

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  • How a Bout of Depression Led to Dwayne Johnson’s Career-Defining Momen

    How a Bout of Depression Led to Dwayne Johnson’s Career-Defining Moment

    Award-winning actor, Dwayne Johnson popularly known as The Rock has discussed his battle with depression.

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  • TWELVE YEARS A SLAVE. NARRATIVE OF SOLOMON NORTHUP-CHAPTER II

    THE TWO STRANGERS—THE CIRCUS COMPANY—DEPARTURE FROM SARATOGA—VENTRILOQUISM AND LEGERDEMAIN—JOURNEY TO NEW-YORK—FREE PAPERS—BROWN AND HAMILTON—THE HASTE TO REACH THE CIRCUS—ARRIVAL IN WASHINGTON—FUNERAL OF HARRISON—THE SUDDEN SICKNESS—THE TORMENT OF THIRST—THE RECEDING LIGHT—INSENSIBILITY—CHAINS AND DARKNESS.

    One morning, towards the latter part of the month of March, 1841, having at that time no particular business to engage my attention, I was walking about the village of Saratoga Springs, thinking to myself where I might obtain some present employment, until the busy season should arrive. Anne, as was her usual custom, had gone over to Sandy Hill, a distance of some twenty miles, to take charge of the culinary department at Sherrill’s Coffee House, during the session of the court. Elizabeth, I think, had accompanied her. Margaret and Alonzo were with their aunt at Saratoga.

    On the corner of Congress street and Broadway, near the tavern, then, and for aught I know to the contrary, still kept by Mr. Moon, I was met by two gentlemen of respectable appearance, both of whom were entirely unknown to me. I have the impression that they were introduced to me by some one of my acquaintances, but who, I have in vain endeavored to recall, with the remark that I was an expert player on the violin.

    At any rate, they immediately entered into conversation on that subject, making numerous inquiries touching my proficiency in that respect. My responses being to all appearances satisfactory, they proposed to engage my services for a short period, stating, at the same time, I was just such a person as their business required. Their names, as they afterwards gave them to me, were Merrill Brown and Abram Hamilton, though whether these were their true appellations, I have strong reasons to doubt. The former was a man apparently forty years of age, somewhat short and thick-set, with a countenance indicating shrewdness and intelligence. He wore a black frock coat and black hat, and said he resided either at Rochester or at Syracuse. The latter was a young man of fair complexion and light eyes, and, I should judge, had not passed the age of twenty-five. He was tall and slender, dressed in a snuff-colored coat, with glossy hat, and vest of elegant pattern. His whole apparel was in the extreme of fashion. His appearance was somewhat effeminate, but prepossessing, and there was about him an easy air, that showed he had mingled with the world. They were connected, as they informed me, with a circus company, then in the city of Washington; that they were on their way thither to rejoin it, having left it for a short time to make an excursion northward, for the purpose of seeing the country, and were paying their expenses by an occasional exhibition. They also remarked that they had found much difficulty in procuring music for their entertainments, and that if I would accompany them as far as New-York, they would give me one dollar for each day’s services, and three dollars in addition for every night I played at their performances, besides sufficient to pay the expenses of my return from New-York to Saratoga.

    I at once accepted the tempting offer, both for the reward it promised, and from a desire to visit the metropolis. They were anxious to leave immediately. Thinking my absence would be brief, I did not deem it necessary to write to Anne whither I had gone; in fact supposing that my return, perhaps, would be as soon as hers. So taking a change of linen and my violin, I was ready to depart. The carriage was brought round—a covered one, drawn by a pair of noble bays, altogether forming an elegant establishment. Their baggage, consisting of three large trunks, was fastened on the rack, and mounting to the driver’s seat, while they took their places in the rear, I drove away from Saratoga on the road to Albany, elated with my new position, and happy as I had ever been, on any day in all my life.

    We passed through Ballston, and striking the ridge road, as it is called, if my memory correctly serves me, followed it direct to Albany. We reached that city before dark, and stopped at a hotel southward from the Museum.

    This night I had an opportunity of witnessing one of their performances—the only one, during the whole period I was with them. Hamilton was stationed at the door; I formed the orchestra, while Brown provided the entertainment. It consisted in throwing balls, dancing on the rope, frying pancakes in a hat, causing invisible pigs to squeal, and other like feats of ventriloquism and legerdemain. The audience was extraordinarily sparse, and not of the selectest character at that, and Hamilton’s report of the proceeds presented but a “beggarly account of empty boxes.”

    Early next morning we renewed our journey. The burden of their conversation now was the expression of an anxiety to reach the circus without delay. They hurried forward, without again stopping to exhibit, and in due course of time, we reached New-York, taking lodgings at a house on the west side of the city, in a street running from Broadway to the river. I supposed my journey was at an end, and expected in a day or two at least, to return to my friends and family at Saratoga. Brown and Hamilton, however, began to importune me to continue with them to Washington. They alleged that immediately on their arrival, now that the summer season was approaching, the circus would set out for the north. They promised me a situation and high wages if I would accompany them. Largely did they expatiate on the advantages that would result to me, and such were the flattering representations they made, that I finally concluded to accept the offer.

    The next morning they suggested that, inasmuch as we were about entering a slave State, it would be well, before leaving New-York, to procure free papers. The idea struck me as a prudent one, though I think it would scarcely have occurred to me, had they not proposed it. We proceeded at once to what I understood to be the Custom House. They made oath to certain facts showing I was a free man. A paper was drawn up and handed us, with the direction to take it to the clerk’s office. We did so, and the clerk having added something to it, for which he was paid six shillings, we returned again to the Custom House. Some further formalities were gone through with before it was completed, when, paying the officer two dollars, I placed the papers in my pocket, and started with my two friends to our hotel. I thought at the time, I must confess, that the papers were scarcely worth the cost of obtaining them—the apprehension of danger to my personal safety never having suggested itself to me in the remotest manner. The clerk, to whom we were directed, I remember, made a memorandum in a large book, which, I presume, is in the office yet. A reference to the entries during the latter part of March, or first of April, 1841, I have no doubt will satisfy the incredulous, at least so far as this particular transaction is concerned.

    With the evidence of freedom in my possession, the next day after our arrival in New-York, we crossed the ferry to Jersey City, and took the road to Philadelphia. Here we remained one night, continuing our journey towards Baltimore early in the morning. In due time, we arrived in the latter city, and stopped at a hotel near the railroad depot, either kept by a Mr. Rathbone, or known as the Rathbone House. All the way from New-York, their anxiety to reach the circus seemed to grow more and more intense. We left the carriage at Baltimore, and entering the cars, proceeded to Washington, at which place we arrived just at nightfall, the evening previous to the funeral of General Harrison, and stopped at Gadsby’s Hotel, on Pennsylvania Avenue.

    After supper they called me to their apartments, and paid me forty-three dollars, a sum greater than my wages amounted to, which act of generosity was in consequence, they said, of their not having exhibited as often as they had given me to anticipate, during our trip from Saratoga. They moreover informed me that it had been the intention of the circus company to leave Washington the next morning, but that on account of the funeral, they had concluded to remain another day. They were then, as they had been from the time of our first meeting, extremely kind. No opportunity was omitted of addressing me in the language of approbation; while, on the other hand, I was certainly much prepossessed in their favor. I gave them my confidence without reserve, and would freely have trusted them to almost any extent. Their constant conversation and manner towards me—their foresight in suggesting the idea of free papers, and a hundred other little acts, unnecessary to be repeated—all indicated that they were friends indeed, sincerely solicitous for my welfare. I know not but they were. I know not but they were innocent of the great wickedness of which I now believe them guilty. Whether they were accessory to my misfortunes—subtle and inhuman monsters in the shape of men—designedly luring me away from home and family, and liberty, for the sake of gold—those who read these pages will have the same means of determining as myself. If they were innocent, my sudden disappearance must have been unaccountable indeed; but revolving in my mind all the attending circumstances, I never yet could indulge, towards them, so charitable a supposition.

    After receiving the money from them, of which they appeared to have an abundance, they advised me not to go into the streets that night, inasmuch as I was unacquainted with the customs of the city. Promising to remember their advice, I left them together, and soon after was shown by a colored servant to a sleeping room in the back part of the hotel, on the ground floor. I laid down to rest, thinking of home and wife, and children, and the long distance that stretched between us, until I fell asleep. But no good angel of pity came to my bedside, bidding me to fly—no voice of mercy forewarned me in my dreams of the trials that were just at hand.

    The next day there was a great pageant in Washington. The roar of cannon and the tolling of bells filled the air, while many houses were shrouded with crape, and the streets were black with people. As the day advanced, the procession made its appearance, coming slowly through the Avenue, carriage after carriage, in long succession, while thousands upon thousands followed on foot—all moving to the sound of melancholy music. They were bearing the dead body of Harrison to the grave.

    From early in the morning, I was constantly in the company of Hamilton and Brown. They were the only persons I knew in Washington. We stood together as the funeral pomp passed by. I remember distinctly how the window glass would break and rattle to the ground, after each report of the cannon they were firing in the burial ground. We went to the Capitol, and walked a long time about the grounds. In the afternoon, they strolled towards the President’s House, all the time keeping me near to them, and pointing out various places of interest. As yet, I had seen nothing of the circus. In fact, I had thought of it but little, if at all, amidst the excitement of the day.

    My friends, several times during the afternoon, entered drinking saloons, and called for liquor. They were by no means in the habit, however, so far as I knew them, of indulging to excess. On these occasions, after serving themselves, they would pour out a glass and hand it to me. I did not become intoxicated, as may be inferred from what subsequently occurred. Towards evening, and soon after partaking of one of these potations, I began to experience most unpleasant sensations. I felt extremely ill. My head commenced aching—a dull, heavy pain, inexpressibly disagreeable. At the supper table, I was without appetite; the sight and flavor of food was nauseous. About dark the same servant conducted me to the room I had occupied the previous night. Brown and Hamilton advised me to retire, commiserating me kindly, and expressing hopes that I would be better in the morning. Divesting myself of coat and boots merely, I threw myself upon the bed. It was impossible to sleep. The pain in my head continued to increase, until it became almost unbearable. In a short time I became thirsty. My lips were parched. I could think of nothing but water—of lakes and flowing rivers, of brooks where I had stooped to drink, and of the dripping bucket, rising with its cool and overflowing nectar, from the bottom of the well. Towards midnight, as near as I could judge, I arose, unable longer to bear such intensity of thirst. I was a stranger in the house, and knew nothing of its apartments. There was no one up, as I could observe. Groping about at random, I knew not where, I found the way at last to a kitchen in the basement. Two or three colored servants were moving through it, one of whom, a woman, gave me two glasses of water. It afforded momentary relief, but by the time I had reached my room again, the same burning desire of drink, the same tormenting thirst, had again returned. It was even more torturing than before, as was also the wild pain in my head, if such a thing could be. I was in sore distress—in most excruciating agony! I seemed to stand on the brink of madness! The memory of that night of horrible suffering will follow me to the grave.

    In the course of an hour or more after my return from the kitchen, I was conscious of some one entering my room. There seemed to be several—a mingling of various voices,—but how many, or who they were, I cannot tell. Whether Brown and Hamilton were among them, is a mere matter of conjecture. I only remember, with any degree of distinctness, that I was told it was necessary to go to a physician and procure medicine, and that pulling on my boots, without coat or hat, I followed them through a long passage-way, or alley, into the open street. It ran out at right angles from Pennsylvania Avenue. On the opposite side there was a light burning in a window. My impression is there were then three persons with me, but it is altogether indefinite and vague, and like the memory of a painful dream. Going towards the light, which I imagined proceeded from a physician’s office, and which seemed to recede as I advanced, is the last glimmering recollection I can now recall. From that moment I was insensible. How long I remained in that condition—whether only that night, or many days and nights—I do not know; but when consciousness returned, I found myself alone, in utter darkness, and in chains.

    The pain in my head had subsided in a measure, but I was very faint and weak. I was sitting upon a low bench, made of rough boards, and without coat or hat. I was hand-cuffed. Around my ankles also were a pair of heavy fetters. One end of a chain was fastened to a large ring in the floor, the other to the fetters on my ankles. I tried in vain to stand upon my feet. Waking from such a painful trance, it was some time before I could collect my thoughts. Where was I? What was the meaning of these chains? Where were Brown and Hamilton? What had I done to deserve imprisonment in such a dungeon? I could not comprehend. There was a blank of some indefinite period, preceding my awakening in that lonely place, the events of which the utmost stretch of memory was unable to recall. I listened intently for some sign or sound of life, but nothing broke the oppressive silence, save the clinking of my chains, whenever I chanced to move. I spoke aloud, but the sound of my voice startled me. I felt of my pockets, so far as the fetters would allow—far enough, indeed, to ascertain that I had not only been robbed of liberty, but that my money and free papers were also gone! Then did the idea begin to break upon my mind, at first dim and confused, that I had been kidnapped. But that I thought was incredible. There must have been some misapprehension—some unfortunate mistake. It could not be that a free citizen of New-York, who had wronged no man, nor violated any law, should be dealt with thus inhumanly. The more I contemplated my situation, however, the more I became confirmed in my suspicions. It was a desolate thought, indeed. I felt there was no trust or mercy in unfeeling man; and commending myself to the God of the oppressed, bowed my head upon my fettered hands, and wept most bitterly.

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  • Fun Facts About South Africa

    DID YOU KNOW THAT…

    Perhaps the most famous South African movie is “Tsotsi” by Gavin Hood.”Tsotsi” is a story about a gang leader.On March 5, 2006, “Tsotsi” won the Academy Award for Foreign Language Film in Los Angeles.
    In his speech, Gavin Hood said, “God bless Africa. Wow. I have a speech, it´s in my pocket, but that thing says 38 seconds. But mine´s way too long. Go to tsotsi.com and there is a huge long list of people. Because I´m accepting this not for myself. This is for best foreign language film. It is sitting right there to start with.Please stand up Presley Chweneyagae and Terry Pheto. My two fantastic young leads. Put the cameras on them, please. Viva Africa. Viva. I´ve got ten seconds.Ten seconds I just want to thank my fellow nominees who I´ve become deep friends with. We may have foreign language films, but our stories are the same as your stories. They´re about the human heart and emotion. It says please wrap.Thank you so much. Thank you to the Academy. Thank you”.
    Winner: “Tsotsi” (South Africa)
    Finalists:
    -“Sophie Scholl” (Germany)
    -“Joyeux Noel” (France)
    -“The Beast of the Heart” (Italy)
    -“Paradise Now” (Palestine)

    DID YOU KNOW THAT…

    For the first time since 1960, South Africa sent a delegation to compete in the Olympic Games. Certainly, South Africa sent 94 athletes to the 1992 Olympic Games, which were held in Barcelona, Spain.The African delegation had athletes competing in seventeen areas: archery, badminton, boxing, kayak, cycling, equestrian, fencing, modern pentathlon, rowing, sailing, shooting, swimming, table tennis, tennis, track and field, weighlifting and wrestling. They returned to South Africa with two silver medals.

    DID YOU KNOW THAT…

    Nelson Mandela was one of the most important leaders in the 20th century.He played a fundamental role in the recuperation of the nation´s democracy. Under his leadership, South Africa adopted one of the best constitutions in the world.Mandela once said, “And so it has come to pass that South Africa today undergoes her rebirth, cleansed of a horrible past, matured from a tentative beginning, and reaching out to the future with confidence. Our pledge is : never and never again shall the laws of our land rend our people apart or legalize their oppression and repression”.
    Since 1993, in South Africa you can feel the freedom. Different from Cuba, Iran, and Zimbabwe, South Africa is a democracy where the civil society has immense influence and power.

    DID YOU KNOW THAT…

    South Africa has loads of national parks and reserves that are the home of some amazing wildlife. The Kruger National Park is one of the most popular tourist spots in the African continent. It is one of the world´s most beautiful national parks. The Kruger National Park provides an ideal habitat for animals such as elephants, giraffes, rhinoceroses, monkeys, zebras, cheetahs, hyenas, hippopotamus, gazelles, elands, lions, and African wild dogs.

    DID YOU KNOW THAT…

    South Africa has three capitals: Cape Town (legislative), Pretoria (administrative), and Bloemfontein (judicial).However, Johannesburg is the most important economic, industrial and cultural center in South Africa.It is one of the most industrialized cities in the Third World along with Taipei (Taiwan), Mexico City (Mexico), and Seoul (South Korea).In 2006 Johannesburg had a population of 2.6 million

    DID YOU KNOW THAT…

    For the first time, Africa will host 2010 FIFA World Cup.The Football World Championship to be held in South Africa.In 2000,Joseph Blatter, FIFA president, wanted the FIFA to vote for South Africa.However, New Zealand´s Charlie Dempsey ducked out of the final vote and Germany nicked it.For this reason, Germany hosted the World Cup in 2006.
    In 2007,Thabo Mbeki, South African president, said: “I have no doubt that our local organising committee, government at all levels, and everybody concerned will do the necessary work to guarantee that we host a better tournament in 2010 than the excellent 2006 German World Cup”.
    It also noted that millions of dollars have been spent in the past years on reforming South Africa´s sporting system.

    DID YOU KNOW THAT…

    About half of the world´s gold is produced in South Africa.

    DID YOU KNOW THAT…

    South Africa has many famous people: Christian Barnard (surgeon), Miriam Makeba (singer and anti-AIDS activist), Caron Bernstein (model,actress and singer), Nelson Mandela (former president and anti-AIDS activist), Nadine Gordimer (writer), Athol Fugard (writer),Mathosa (singer), Zola Budd (sportswoman), Charlize Theron (actress), Ilene Hamann (actress and model), Harry Oppenheimer (anti-apartheid industrialist), Richard Goldstone (international judge), Musetta Vander (actress and model), Danny Koppel (singer), Zakes Mokae (actor), Juliet prowse (dancer and actress), and Joe Mafela (actor).

    DID YOU KNOW THAT…

    The South African Penny Heyns, won the 100-and 200-meter breaststroke events at the 1996 Summer Olympics.She is considered among South Africa´s national heroines. Like Anthony Nesty (Suriname), Felipe Muñoz (Mexico), Claudia Poll (Costa Rica), and Kirsty Coventry (Zimbabwe), Penny Heyns is a Third World swimming icon.

    DID YOU KNOW THAT…

    South Africa has many World Heritage Sites by UNESCO: Greater Saint Lucia Wetland Park (1999), Robben Island (1999), Drakensberg Park (2000), Mapungubwe Cultural Landscape (2003), Vredefort Dome (2005), and Cape Floral Region Protected Areas (2004).

    DID YOU KNOW THAT…

    On March 26, 1998, American U.S. president Bill Clinton visited South Africa.

    DID YOU KNOW THAT…

    South Africa has more Nobel Prizes than Mexico(3) India (2) Brazil (0)Argentina (3) Cuba (0), and the People´s Republic of China (1).

    South Africa has six Nobel Prize winners:

    1960: Albert J. Luthuli (Nobel Prize for Peace)

    1982: Aaron Klug (Nobel Prize for Chemistry)

    1984:Bishop Desmond Tutu (Nobel Prize for Peace)

    1991: Nadine Gordimer (Nobel Prize for Literature)

    1993: Nelson Mandela and Frederik W. de Klerk (Nobel Prize for Peace)

    2003: John Maxwell Coetzee (Nobel Prize for Literature)

    DID YOU KNOW THAT…

    The people of South Africa are proud that their country is a society of people with many different backgrounds. Many people are mixture of several nationalities and races. About 2 million Asians live in South Africa. The ancestors of the most of them came from India, Bangladesh, Pakistan, Maldives, and Sri Lanka.

    DID YOU KNOW THAT…

    South Africa superstar Charlize Theron is an icon in Africa. She is a woman one can not fail to admire.

    Academy Award winning actress, Halle Berry worked as a fashion model in the 1980s.Berry is not the only Hollywood star who made a living from special jobs before becoming famous. For many actresses, this early experience came in useful in their acting career. The South African actress Charlize Theron -who has appeared in over twenty films in a movie career lasting over ten years- was a supermodel in the 1990s.

    Hollywood actress Charlize Theron was born on August7, 1975, in Benoni, Gauteng, South Africa.She has German and French ancestry. Charlize grew up to be a beautiful young woman and attracted the attentions of many people.She speaks English, Afrikaans and Xhosa.

    Charlize had been an international model since the age of 16. She began her career in Milan, Italy. In late 1996 she became an actress.On February 29, 2004, Charlize won an Academy Award for Best actress for her role as Aileen Wuournos in the film “Monster”. She became the first African actress to win an Oscar for Best Actress in the history.

    Charlize Theron is one of the most beautiful women in the world.The elegant clothes she wears complement her perfect body.
    Filmography:”Celebrity” (1998), “Reindeer Games” (2000), “The Yards” ( 2000), “Men of Honor” (2000), “The Italian Job” (2003),
    “Monster” (2003), “The Life and Death of Peters Sellers” (2004),”North Country” (2005), and “The Brazilian Job (2006).

    DID YOU KNOW THAT…

    The Nobel Prize Nadine Gordimer is a human rights activist. Her proudest moment was when she testified at a 1986 treason trial on behalf of 22 South African anti-apartheid activists.

    DID YOU KNOW THAT…

    South Africa has had famous athletes in the past century: Reggie Walker (olympic 100m gold medallist in 1908), Esther Brand (olympic high jump gold medallist in 1952), Joan Harrison (swimmer,won 1 olympic gold medal in 1952), and Sam Atkinson (olympic 110m hurdles gold medallist in 1928).

    DID YOU KNOW THAT…

    Mathosa was one of the best singers in South Africa. She was called “South Africa´s Madonna of the townships”. In the 1990s, Mathosa was considered among the most talented artists in Africa.

    DID YOU KNOW THAT…

    The 2003 Nobel Prize for Literature was awarded to South African author John Maxwell Coetzee. He was the fourth African Nobel laurate for literature after Wolle Soyinka of Nigeria (1986), Naguib Mahfouz of Egypt (1988), and Coetzee´s countrywoman Nadine Gordimer (1991). J.M Coetzee was born on February 9, 1940, in Cape Town, South Africa. He was cited by the Swedish Academy as an author “who in innumerables guises portrays the surprising involvement of the outsider”.Certainly, Coetzee is one of the most famous South African authors in the 21st century.

    DID YOU KNOW THAT…

    South Africa hosted the 1999 Pan African Games.

    DID YOU KNOW THAT…

    The golf is a popular sport in South Africa. South Africa has had famous golfers throughout its sports history.In the 1960s and 1970s, Gary Player was one of the best golfers in the world. He won many tournaments such as the Masters Golf Tournament ( 1961,1974, and 1978), the United States Open (1965), the PGA Championship (1962 and 1972), and the British Open ( 1959, 1968, and 1974).His countryman Bobby Locke won the British Open (1949, 1950, 1952, and 1957). Furthermore, South Africa won two times the World Cup Golf: 1965 (Gary Player and Harold Henning) and 1974 (Bobby Cole and Dale Hayes).

    Alejandro Guevara Onofre: He is a freelance writer.Alejandro is of Italian, African and Peruvian ancestry.He´ve studied political science and journalism.He has published more than seventy-five research paper in English, and more than twenty in Spanish, concerning the world issues, olympic sports, countries, and tourism. His next essay is called “The Dictator and Alicia Alonso”.He is an expert on foreign affairs. Futhermore, Alejandro is the first author who has published a world-book encyclopedia in Latina America.

    He admires Frida Kahlo (Mexican painter), Hillary Clinton (ex-First Lady of the USA), and Jimmy Carter (former President of the USA). His favorite film is “Gorillas in the Mist”.Some of his favorite books are “The Return of Eva Peron and the Killings in Trinidad” (by V.S.Naipaul), “Las Mujeres de los Dictadores” (by Juan Gasparini) and “Murder of a Gentle Land” (by John Barron and Anthony Paul).His personal motto is “The future is for those people who believe in the beauty o f their dreams” by Eleanor Roosevelt.

    Article Source: http://EzineArticles.com/expert/Alejandro_Guevara_Onofre/79627

    Article Source: http://EzineArticles.com/619695

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  • Writers, Make Money by Creating and Selling Private Label Articles

    Are you a freelance writer looking for work?  In the Untied States, there are thousands, if not millions, of individuals who are making a career as a freelance writer. The only problem with this is that there are a limited number of money making opportunities. As the internet has increased in popularity, so have the number of ways that clients are able to obtain content for their websites.  If you find yourself looking for ways to pay your bills, you may want to examine private label articles and what they can do for you.

    When you create private label articles, you will not need to have a client.  Instead of being told what to write, you can write on any topic that you desire.  However, as you are most likely already aware of, it is best to write articles on popular topics.  Website owners are the most common buyers of content articles. This is because original content may help to increase their search engine rankings, increase their website’s visitor count, and make their website more interesting.  In most cases, website owners only purchase content that is popular at the moment.  That is why it is a good idea to make sure you are writing marketable articles.

    Traditionally, after you write your own articles, you will begin searching for a buyer.  If you have already tried selling your articles this way, you are probably aware that it is not as easy as it sounds.  Finding buyers will not only take time, but it may also take money.  In the past, if you didn’t have time or money you would be out of luck. Now, you can allow others to sell your content for you. This is done by making the private label resell rights to your content available for purchase.

    With private label resell rights, someone will buy the resell rights to your articles, often in large quantities.  It will then be their responsibility to market and sell them.  Depending on the agreement you and the buyer make, the buyer may be able to claim the content as their own.  In addition to claiming your content, they may also be able to alter it.  If you do not want your content altered, you will just have to outline it as a stipulation in the user agreement.

    When offering your article rights up for sale, your first thought may be to keep everything the same, including your name as the author. While there are advantages to doing this, it may have an impact on how much you are able to sell your resell rights for. Many buyers prefer purchasing a product, including content articles, which they can not only alter, but claim as their own. By allowing this to take place, you should be able to charge more money for the resell rights.

    If you are interested in selling the resell rights to your content, you will have to find a prospective buyer. This is often compared to finding a buyer for your own articles, but it is often easier. As soon as you make your opportunity available, you should begin to see results. This results will often be inquires or sample requests.  If a prospective buyer is pleased with what they see, they may agree to purchase the private label resell rights to your content; thus ending your responsibility.

    If you are unsure about this unique money making opportunity, you may want to, at least, give it at try.  If you are unable to sell the rights to your private label articles you can then return to what you were doing before. One great source to present your articles to is www.ArticleWholesaler.com, they buy a large volume of articles. If you do find success, as many writers have, you don’t have to stop there. You could continue to write content articles only to sell their resell rights.  In fact, if you had a successful relationship with a previous buyer, there is a good chance that the buyer may return for more of your handcrafted articles.

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